2022-2023 Lecture Descriptions
Thursday, September 15, 2022
“Barbarians” and Bronzes: The Origins of Civilization in Ancient Vietnam
Nam C. Kim Rotroff, Associate Professor of Anthropology, University of
Wisconsin Madison (nckim2@wisc.edu)
Alumni Hall 302 (Trustees' Room), Knox College, 2 E South Street,
Galesburg IL
Two thousand years ago, China’s Han Empire stretched its imperial grasp
beyond the mountains far to the south of the Central Plains, reaching
into the domains of “barbarians”. Along its southernmost periphery lay
the Red River Valley (RRV) of present-day Vietnam. In their chronicles,
the Han claimed that they “civilized” the RRV’s “barbarians”. In
contrast, many Vietnamese believe this time and location represents the
birthplace of an indigenous, Vietnamese civilization that predates Han
arrival. This view has been traditionally based on colorful tales and
legends. One of the most enduring accounts tells of the Au Lac Kingdom
and its capital city, known as Co Loa. Thus, at the heart of ongoing,
intense, and sometimes nationalistic debates are two contrasting views.
One sees “civilization” as a byproduct of Han arrival, while the other
sees it as the outcome of local, indigenous cultural traditions. This
lecture presents new and ongoing archaeological research that addresses
these themes and questions. Specifically, it highlights recent
investigations at the Co Loa site, considered to be the first capital
and earliest city of ancient Vietnam.
Thursday, November 10, 2022
Sienkewicz Lecture in Roman Archaeology
"Race, Racism, & Representation in Roman Art:
Aethiopians in the Visual Arts of the
Roman World"
Sinclair Bell, Professor of Art History, Northern Illinois
University (sinclair.bell@niu.edu
)
7:30 pm, Pattee Auditorium (Center for Science and Business 100), Monmouth College, Monmouth IL
The visual and material culture of the Roman Empire provides an abundant
record of encounters
with or just imaginings of foreign peoples. These images render visible
complex formulations of
ethnicity, social hierarchies, and power. This lecture surveys the ways
in which imperial artists
represented the peoples whom the Romans referred to as Aethiopians or
Nubians (i.e., “Black”
Africans) in a variety of visual media. The lecture also considers how
and why these works have
been (mis)interpreted or sometimes altogether ignored by ancient art
historians, and proposes
new ways of integrating them into future, critical histories of Roman
art.
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